
The article I decided to analyze for assignment 1-3 is called, “American Dream of Mutants: The X-Men-“Pulp” Fiction, Science Fiction and Superheroes. It is by John M. Trushell and it was published in the Journal of Popular Culture volume 38 number 1 in 2004. The article focused on the proliferation of comic books and the relationship between American popular culture and content in comic books. It is hard to imagine comic books which are meant to make us fantasize would have so many hidden messages about our societal issues.
The rise of Jazz music, motion pictures, and the modern detective story contributed to American popular culture in the 20th century, but science fiction literature moved towards the center of American popular culture. Writings from people like H.G Wells in the 1920s fueled a need for science fiction. However, with the Atom Bomb detonation in Hiroshima at the end of WWII, men and women of intellect realized that scientific writings resembled a lot like the world they lived in. They understood science fiction literature directly reflected the present state of the world and provided glimpse of the problematic future that was to come. The forecast called for the need for heroes who arrived in the form of comic book characters (Trushell, J. 2004).
According to the article, the early 1930s witness the transition of science fiction literature from novels into comic book strips. This era in science fiction literature was called the Pulp era. This was the time popular characters like Doc Savage, Superman, Spiderman, and the Caped Crusader Batman arrived in the comic world and every child wanted to read about them. Superhero comics flooded the market and nearly every aspect of life, whether a detective story or even the submariner had a comic strip related story. Some in the general public regarded the reading of science fiction and comics as escapism and not dealing with reality. Other saw the sophistication of superheroes as an alibi for magic. Regardless of the mixed opinions, comic book thrived in the 1940s. The events of WWII and the threat from the Axis of Evil drove the popularity of heroes such as Captain America, Uncle Sam, and Superman (Trushell, J. 2004). Many of the stories in comic books in this era were mini stories of the battle fields turned into fantasy versions of real events. Finally, in the 50s comic books saw a decline because of the popular new medium which was television, urging some comic characters to transition or witness demise. Characters like Superman were successful while others perished and waited for resurrection._1%5B1%5D.jpg)
The next generation of comic books in America were introduce in the golden age of comics with content from Stan Lee whom some consider to be the greatest comic writer of all time. In the 60s, comics like the Fantastic Four and X-Men became popular. The X-Men were much like a previous group called the X-Bodies because both groups were different from normal society and both were being persecuted and hunted. The Fantastic Four were about a group of astronauts hit by solar rays then given superpower. The story of the Fantastic Four was an allegory for teen rebellion of the 60 while the X-Men related to much heavier issues in society. For example, the X-Men were people born different because of genetics and were segregated, persecuted, and lead by one protector and teacher. The struggle of the X-Men could be an explanation of the civil rights movement (Trushell, J. 2004). Professor Xavier of the X-Men was like Martin Luther King who preached non violence and marched on Washington for freedom and equality. On the same token, the comic world reflected the militancy
in society. Take the Nation of Islam with leader Malcolm X for example; he was much like a character named Magneto in X-Men who was motivated by mutant domination of America. Magneto and his brotherhood of mutants resembled the increase in radicalism in American society such as the popularity of the black power movement (Franklin, H.1966). The comic books had mass appeal due to content being related to life in American society. Furthermore, in later years comic books dealt with more global issues and incorporated multicultural aspects of life and not so native characters. Diversity in X-MEN arrived with the popularity of Wolverine who was from Canada and Storm being an African American woman. Most of the comic issues in the 80s and early 90s were related to multiculturalism and a great emphasis on technological advancement. In the real world, technology was at the center of popular culture in America and elsewhere, and people of all walks of life intertwined with each other. In recent years, comic books have been reoriented into becoming motion pictures for a new generation and the success of the superhero movies is evidence that comic books still have a relevant spot in American popular culture.
The rise of Jazz music, motion pictures, and the modern detective story contributed to American popular culture in the 20th century, but science fiction literature moved towards the center of American popular culture. Writings from people like H.G Wells in the 1920s fueled a need for science fiction. However, with the Atom Bomb detonation in Hiroshima at the end of WWII, men and women of intellect realized that scientific writings resembled a lot like the world they lived in. They understood science fiction literature directly reflected the present state of the world and provided glimpse of the problematic future that was to come. The forecast called for the need for heroes who arrived in the form of comic book characters (Trushell, J. 2004).
According to the article, the early 1930s witness the transition of science fiction literature from novels into comic book strips. This era in science fiction literature was called the Pulp era. This was the time popular characters like Doc Savage, Superman, Spiderman, and the Caped Crusader Batman arrived in the comic world and every child wanted to read about them. Superhero comics flooded the market and nearly every aspect of life, whether a detective story or even the submariner had a comic strip related story. Some in the general public regarded the reading of science fiction and comics as escapism and not dealing with reality. Other saw the sophistication of superheroes as an alibi for magic. Regardless of the mixed opinions, comic book thrived in the 1940s. The events of WWII and the threat from the Axis of Evil drove the popularity of heroes such as Captain America, Uncle Sam, and Superman (Trushell, J. 2004). Many of the stories in comic books in this era were mini stories of the battle fields turned into fantasy versions of real events. Finally, in the 50s comic books saw a decline because of the popular new medium which was television, urging some comic characters to transition or witness demise. Characters like Superman were successful while others perished and waited for resurrection.
_1%5B1%5D.jpg)
The next generation of comic books in America were introduce in the golden age of comics with content from Stan Lee whom some consider to be the greatest comic writer of all time. In the 60s, comics like the Fantastic Four and X-Men became popular. The X-Men were much like a previous group called the X-Bodies because both groups were different from normal society and both were being persecuted and hunted. The Fantastic Four were about a group of astronauts hit by solar rays then given superpower. The story of the Fantastic Four was an allegory for teen rebellion of the 60 while the X-Men related to much heavier issues in society. For example, the X-Men were people born different because of genetics and were segregated, persecuted, and lead by one protector and teacher. The struggle of the X-Men could be an explanation of the civil rights movement (Trushell, J. 2004). Professor Xavier of the X-Men was like Martin Luther King who preached non violence and marched on Washington for freedom and equality. On the same token, the comic world reflected the militancy

References
Trushell, J. M. (2004, August 10). American Dreams of Mutants: The X-Men- "Pulp" Fiction, Science Fiction, and Superheroes. The Journal of Popular Culture, 38, 149-167. Retrieved October 19, 2009, from OhioLink database.
Franklin, H. B. (1966). Future Perfect: American Science Fiction . New York, and London England, NY: OXford Press.